Are you planning a project with visual depth, technical precision and artistic conviction?

I work at the edge — between art, engineering, and institutional practice — not to overcome that tension, but because that's where the most interesting questions live. My background is in engineering. My practice is that of a media artist. I've worked in large public institutions, in startups, and in my own artistic research — more than 20 years at the intersection of systemic thinking and design with conviction. What drives me is not the finished product — it's the conditions under which something can come into being. I develop structures that create room: visually, technically, conceptually.